Martin Mojzis / Fine Art Photography and Graphic Art Atelier.
THISTLES AND KETTLE.

SEARCHING 2006.

FINE ART PHOTOGRAPHY.

This collection of photographs arise in a difficult period of 2006 year. An independent atelier was at the beginning of its existence and it has been associated with many physical and intellectual barriers that had to be overcome, and at least don't lose the essential lightness and detachment, so necessary for the inspiration and creation.

Mostly black and white photographs are exclusively in the traditional format of 40 x 30 cm on glossy paper. Besides the above factors reflect primarily the hope and firm belief in overcoming all difficulties:

"I felt that it was primarily unification, joining with forces of nature that will help me to bear sometimes grueling everyday life and still keep my head a little bit high. I was looking for, and, to my immense surprise also found, rules and regularities in the simpliest storylines and circumstances. Most frequently Vltava river in Troja and the Imperial Island in Bubenec, in winter so deserted and seemingly insignificant, have become the stage for the brilliant performances, unspeakable and full of crucial findings. Island become for me fatal in the best sense of this word, and so it will stay forever, no matter what happens in the future..." (Assuming here the construction of wastewater treatment plant, which this fascinating place between the two river arms totally devastated)...

2017: Wastewater plant build is in progress. Island has been devastated. So many beautiful, old trees dredged excavators from his roots. Many photographies here, eg. WAITING or SILENCE, are the last ones to capture this exceptional place in its original form ...

This gallery contain original photographies, hand made and signed personally by author. For more information please visit this link: Buy a print.


WAITING. BRAWL. GAME. BOOKS. ICE FLOWER. MASTER. NIGHT EXPRESS. LEAVE. FLOATING. AGAINST HEAVEN. SILENCE. PASSION. BRANCH AND ICE. IN ICE. WATERFALL. IN THE FENCE. IN THE FENCE II. HIGHER.