FUJIFILM X-TRANS:

NO MORE UNWANTED ARTIFACTS.

February 9, 2020.
This brief article follows ►previous from 2017 year. It discussed the strange casting (merging) of details in photographs created with first generation Fujifilm (Sony) X-Trans cameras.

I was wondering, whether these unwanted artifacts also appeared in photographs taken with X-Trans sensor cameras of the last two generations (eg. X-H1, X-T3, X-T30 etc.) After thorough examinations, which lasted six months, I can confirm, that not.

I worked with Fujifilm X-H1 and X-T3 cameras. The development of RAW images took place mainly in the Capture One Pro, but I tried Adobe Lightroom Classic too, also without problems. The following photographs are proof, that X-Trans sensors in last two generations have overcome their initial ills and now we can safely use cameras with them.

Corn field in summer, dark clouds.
↑ IN THE FIELD HIGHS. 100 x 67 cm, chromogenic pigment print. © Martin Mojzis, 2019. Photograph from the gallery ►Different landscapes XVI.
Fujifilm X-H1 with Fujinon XF 35 mm 1:1.4 R.
↓ The following photograph is the crop in 100% size.

Grain in summer.

A cloud in the shape of a comet over a summer landscape.
↑ THE VESPER COMET. 100 x 66 cm, chromogenic pigment print. © Martin Mojzis, 2019. Photograph from the gallery ►Different landscapes XVI.
Fujifilm X-H1 with Fujinon XF 35 mm 1:1.4 R.
↓ The following photograph is the crop in 100% size.

A group of trees on the edge of a field.

Steam locomotive 531.0323 in motion.
↑ WAYS OF THE SUMMER. 100 x 67 cm, chromogenic pigment print. © Martin Mojzis, 2019. Photograph from the gallery ►Diaries XXIII.
Fujifilm X-H1 with AF Nikkor 28 mm 1:2.8 D.
↓ The following photograph is the crop in 100% size.

Steam locomotive front reflectors 531.0323.

Windows of railway station building at night.
↑ MINUTES OF SILENCE. 100 x 64 cm, chromogenic pigment print. © Martin Mojzis, 2019. Photograph from the gallery ►Diaries XXIV.
Fujifilm X-H1 with Fujinon XF 35 mm 1:1.4 R.
↓ The following photograph is the crop in 100% size.

A close-up view of the facade between the windows.

Dilapidated house among the trees.
↑ IN THE SHADOW OF THE DEER MOUNTAIN. 100 x 67 cm, chromogenic pigment print. © Martin Mojzis, 2019. Photograph from the gallery ►Diaries XXIV.
Fujifilm X-H1 with Fujinon XF 35 mm 1:1.4 R.
↓ The following photograph is the crop in 100% size.

House roof collapsed and windows.

© Martin Mojzis, 2020.
Photographs: © Martin Mojzis, 2019.
Photograph on the front page and in the article list: © Fujifilm Press.

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